Articles, Blog

Photoshop | Retouching Skin with Dodging and Burning

November 6, 2019

Hi, everyone. My name is Zoe noble, and I’m a professional photographer and retoucher in today’s video I’ll be showing you how I use dodging and burning to retouch skin This is one of the most important techniques to learn as a retoucher because it can have such an immense effect on your image without destroying any pixels Here is the image after all my retouching has been done Here is the folder with the dodging and burning inside Let me toggle this off so you can see just how much this has helped the image Okay, so we have a lot to get through so let’s get started So I’ve deleted the folders with my retouching inside the only layer that is left is my cleaning layer because I always do my dodging and burning after this If you haven’t seen that video on cleaning the skin make sure to go and check it out, so you can follow along with my workflow So for those of you who aren’t sure what the term dodging and burning means it actually comes from a traditional darkroom technique that was Used for correcting exposure on certain areas of a print Dodging was used to lighten areas while burning was used to Darken areas in the digital world We can do the same thing using a few different techniques and by darkening and lightening certain areas on our image We can smooth out those uneven transitions in the skin My favorite technique is by using curves adjustments I like using this method because I can build up the effect gently which reduces color shifts also I’m not destroying any pixels because I’m only painting with light and shadow above the pixels this means you’re working non-destructively and can reduce the effect at the end if you feel you’ve gone too far, so Make sure you have your adjustments at properties panels open you can head up to the window menu to find those here and here and Come up to the adjustments panel and click on the icon that looks like a graph. This is your curves Now this will add into the layers panel So let’s run through what this curves adjustment is showing us We have a diagonal line here And this is representing your images tonal range by moving the diagonal line I can control the brightness of my image. I’m working with an rGB image So the upper right area of the graph represents the highlights and the lower left area represents the shadows For a cmyk Image this would be reversed so the highlights would be at the bottom left and the shadows would be at the top right? So to add a control point. I just have to click on the line and to delete it I can just drag the point off the graph So for our rGB image if I pull the curve up I’m adding light So you can see my image is getting brighter if I pull the curve down I’m removing light, so it’s getting darker If this was a cmyk image the reverse would be true so dragging the curve upward would add ink Making it Darker Let’s create a curve adjustment for my dodging I’ll add a control point in the middle which means I’m going to affect the midterms of my image And I’ll lift it up slightly I’m not pulling this up very high because if I do I’ll start to see color shifts also I can add as many of these curves adjustment layers as I want so I can build up the effect On the curves adjustment. You’ll see a white box This is a mask when it’s set to white it means it’s revealing the curves adjustment So this is why I can see the effect the curves adjustment is having on My image if I invert this by pressing CMD/CTRL and “I” I then the mask turns to black and this means the effect is now hidden I Want to have this hidden? So that I can use my brush to paint over the mask to reveal the effect and brighten up certain areas of my image let me show you I’ll Choose my brush from the toolbar and make sure I have white in the swatch so that I can remove the black mask Let me increase my flow so you can really see the brushstrokes Now when I start painting revealing the curves adjustment. Which is brightening my image in turn You can also see your brushstrokes appear on the mask Let’s undo this by pressing command or cTRl z and I’ll rename the layer Dodge Now let’s create the burn curves adjustment. I’ll go to the adjustments panel and choose another curves adjustment I’ll add the control point in the same place, but this time I’m going to pull the curve down slightly So we’re darkening our image I’ll go and select the mask and again invert this by holding cTRL or command and pressing I Now the darkening effect is hidden and I’ll rename the layer burn Now we can create a layer to help us see those uneven transitions a bit better First we want to make the image black and white because without color your eye can see these only even transitions a lot more easily Go and Select the hue/saturation adjustment here now move the saturation slider down to minus 100 and set your blending mode to color I’ll rename this D saturation if you find you need a little extra help you can create another curves adjustment and Add a control point in this area and just lift it slightly Now change the blending mode to screen and this will show you those darker areas a bit more easily When it comes to burning if you need some help seeing those brighter areas you can now change this blending mode to multiply Okay, so let me change this back to screen I’ll lower the opacity because it’s maybe a bit too bright and I’ll now add these into a group called help, so where nice and organized so Now let’s see my brush settings There are a few different ways you can set your brush settings or dodging and burning I Use a method which takes into account my pen pressure So if I push down harder more paint will flow out of my pen if you’re not so confident using pen pressure Because it takes time to learn how to control this I’ll give you another set of brush settings You can use so try both and see what works Niq Open up the brush panel by going up to the Window Menu I Have my transfer selected and in both drop downs. I have this set to pen pressure I also, have my buildup and smoothing selected I’ll Head up to my brush size Now this will always be changing to match the area that I’m working on, but I usually work on the larger areas first So I’ll set this to fifty as a good starting point My hardness is set to 0% so this is a really soft brush my opacity is set to 100% and my flow is set at around 10% I’ll Never alter the opacity but I may reduce or increase the flow depending on the area. I’m working on My Airbrush is also selected now I want to save this brush so I can toggle between them really quickly and save myself a lot of time I’ll Go up to the window menu and select tool presets I Already have this open down here. I’ll create a new tool preset make sure my includes color is checked and give it a descriptive name like D and B soft 10% slow I Can create multiple tools here for my dodging and burning so I’m speeding up my workflow now let’s create the brush for those of you who may not be as comfortable using the pen pressure I’ll Open up the brush panel again and all we have to do is turn transfer off to remove the pen pressure We also need to turn off the airbrush Now this brush is much stronger than the other one because I’m not able to control it with my pen pressure I’ll reduce the flow to 1% Now save this brush just as we did before and I’ll call this d and b. Hard 1% slow I Recommend you try both of these settings and see what works best for you in your technique? I’ll Switch back to the brush. I use which has pen pressure turned on I’ll go and select the mask on my dodge layer and Make sure I have my swatch filled with white so while I’m painting. I’m removing the black mask and revealing the effect I Start with the larger areas first because if I zoom in and start working on the micro dodging and burning I might be doing more Work than is really needed Working globally first is going to remove those bigger issues And you may find that you don’t need to remove a lot of the smaller things because of this My brush size is going to Match the area I’m working on or be just a little bit smaller, and I’m working in a more painfully way building up the brush strokes Down on her neck shares a very strong crease line So if I find I can’t remove this with the first dodging curves adjustment I can just add another one and build up the effect When I feel like I’ve done as much as I can do at this zoom level then I’ll start to go in closer Also, always think about the final output of the image So you know what level of detail you need to be working at if this is going to be printed at large scale? Then I need to work much closer If it’s just the web then I don’t need to zoom in so close and remove everything because no one will ever see this Also this such a thing as over dodging and burning so keep zooming out to check on your progress It takes time to train your eye with this technique But the more you practice the quicker you will get another really important thing to discuss is understanding bone structure and knowing What shadows to leave if you start removing shadows that are actually meant to be there? Because they’re sculpting a person’s face then the image will look very flat and fake For example people have a tendency to remove the dark areas under the eyes Reducing the shadows is fine But there has to be some shadow there because there’s a spherical shape the eye Behind the skin if I remove all of the shadow the model will look very odd Another area to be careful around is the mouth and cheeks? These shadows at the corners of her lips can be reduced but not removed completely Same with this cheek line there are bones underneath here And if you remove these shadows then the face has no dimension and looks very fake I’d recommend looking in magazines with beautiful fashion and the images So you have references to follow and you know what you’re working towards, okay? So let me do all my dodging and I’ll show you the results after we speed through this we okay, so I’ve done all my doctoring here’s the before and the after as I mentioned earlier you will see color shift after your dodging and burning a Really cool thing using curve adjustment Is that you can clip any other adjustment into this layer, and it will only affect your painted areas Because my dodging has increased the saturation in those areas I’ll come up to the adjustments panel and choose the hue/saturation adjustment Now I’ll come down in between this Hue/saturation layer and the curves adjustment layer and hold down my alt or option Key My Cursor will change to an arrow now if I click on my pen or mouse this Hue/saturation adjustment is now clipped into my mask Now I’ll reduce the saturation and it will only show through in the areas I painted Let me zoom in to show you the before and after So the Saturation is stronger in those areas that were much darker and needed more dodging under her eye for example okay, so now I can move on to the burning I’ll Change the blending mode of my help layer to multiply To see those bright areas more clearly. I’ll make sure I’m on my burn mask So I’m just looking for the larger areas to begin with and then I’ll zoom further in to do my micro dodging and burning So let’s speed through this and I can show you my results when I’ve done all my burning So I finished all my burning. Here’s the before and the after Now let’s see the before and after of all my dodging and burning combined The beauty of using curves adjustments. Is that this is a Non-destructive, technique, and you haven’t touched any pixels So if you felt you’ve gone too far you can even reduce the opacity of this layer to bring back more texture After I’ve cleaned the skin I would then use my dodging and burning to add more depth and contour the image This is called global dodging and burning and I’ll be creating a new video to show you that process for stay tuned for that Once all my dodging and burning is complete. I’m ready to move on to the next part of my retouching process Which is correcting color issues? Thank you so much for watching I’ll be sharing the rest of my retouching process in other videos So please subscribe to my channel for updates, and if you enjoyed this tutorial, please like and share the video have a great day


  • Reply Alan Success December 5, 2017 at 9:55 pm

    You are such a good instructor.
    I mean the BEST.

  • Reply Peter De Smidt December 8, 2017 at 3:41 am

    Excellent tutorial! Wouldn't changing the blending mode of your dodge and burn layers to "luminosity" get rid of the color shifts?

  • Reply Lia Tanasa December 11, 2017 at 5:52 am

    Great tutorial! Never tried the curves technique before, but I will definitely try it out now. It looks so much easier and controlled as well. I'm looking forward for the second part! Thank you for sharing, not many people do! 😉 Kind regards, Lia.

  • Reply Andreas Petker December 26, 2017 at 9:14 pm

    Wow! Your series on retouching is very helpful. I've created an action for me to save time and also to practice. Is there any news/update on the GLOBAL D&B video you mention on the end?

  • Reply Andi Short December 31, 2017 at 12:28 pm

    Great video….far more better process then the frequency seperation way…thank you so much!!

  • Reply Calvin Smith January 8, 2018 at 2:46 pm

    very cool tut, you explain so clearly even a numb nut like me can follow

  • Reply Szabolcs Matefy January 9, 2018 at 7:50 am

    Using Luminosity instead of Normal blending mode wouldn't solve color shift?

  • Reply sermirandavideo January 9, 2018 at 12:00 pm

    Great work Zoë!!

  • Reply Robert Silver Photography January 16, 2018 at 1:00 am

    Fantastic video and even better tip. Thanks this truly helped me improve me editing!

  • Reply Leandro Ilha Martins January 16, 2018 at 1:01 pm

    Zoë have you ever tried using a solid color adjustment as a help layer instead of hue/saturation ? Set the color to black, change blend mode to color. Pratik Naik uses this method to help seeing the tonal differences. This technique prevents color shifting.

  • Reply Paul Tortora January 16, 2018 at 3:46 pm

    Wonderful retouching and great explanation

  • Reply Darren Turner January 18, 2018 at 12:30 am

    Great technique, thank you Zoe. 👍🏻

  • Reply Jorgemakeup January 19, 2018 at 9:26 am

    This is an incredible tutorial! Thank you so much for sharing your expertise so beautifully and into detail! Please keep sharing more ❤️

  • Reply Cameron Rad January 26, 2018 at 4:24 am

    Great job! I added your tutorial to this Post Processing Megathread

  • Reply katybado January 26, 2018 at 4:04 pm

    Great video Zoe. Very helpful and your voice is so good to listen to. Greetings from Poland.

  • Reply Sławomir Gątkowski January 26, 2018 at 11:32 pm

    You are the greatest! <3 Thank you!

  • Reply Thomas February 11, 2018 at 8:47 pm

    Thank you! Very helpful! 👍

  • Reply Omer Faraj February 11, 2018 at 9:13 pm

    THANK YOU !!!

  • Reply Frank Withers Photography February 16, 2018 at 10:33 pm

    Great video. Nice to see that quite simply, there's no shortcut to great results. One question- instead of clipping the hue/saturation to your curves layer to correct color-shift in your dodging, can you just have the curves layers on luminosity blending mode? This is what I typically do, and am curious to know if there is a reason to avoid this specifically. Thank you

  • Reply Steven Willis February 18, 2018 at 6:34 pm


  • Reply Fran Roman February 19, 2018 at 10:34 am

    Hello ZoË! thank you so much for this very helpful video! you teach so nice!
    i would love to watch color grading of your photos!
    Kind regards from Mexico.

  • Reply Mihai Vinersar February 22, 2018 at 11:11 pm

    Thank you for this tutorial! Looking forward for more!

  • Reply Jared Pardew February 25, 2018 at 10:30 am

    where is the next video with global dodge & burning as she mentioned??

  • Reply Lluvia lm March 4, 2018 at 2:54 am

    One of the best tutorials I've ever seen. <3 thank you so much.

  • Reply JGomez pintor March 13, 2018 at 2:43 am


  • Reply Peter Klostos March 24, 2018 at 3:57 am

    Thanks for sharing Zoe, I've purchased tutorials recently that overly complicate this immensely! x

  • Reply Manny Manuel March 24, 2018 at 4:53 pm

    where can I find the global D&B video mentioned? thanks

  • Reply cik bibc March 26, 2018 at 5:06 am

    thanks zoeeeee

  • Reply Clemens Friese March 30, 2018 at 2:34 pm

    Thank you for this great video! Looking forward to see more. maybe about the Liquify tool?
    I wanted to know if you use the frequency seperation at all, since a lot of other people do it. (But I learned it is the cheaper way of doing it). And if you use it, when to apply this technice?

  • Reply Dan Hostettler April 7, 2018 at 12:54 pm

    Thank you so much for your tut series Zoë! I watched quite a few from the usual suspects but yours are the best re "simple" approach<>effectivnes<>high quality work. May I ask if you have any news on the "GLOBAL D&B Video"? Thank you!

  • Reply Maru De Mattia April 9, 2018 at 3:55 am

    thank you zoe! i'm learning a lot from you! <3

  • Reply Fabian Schumacher April 13, 2018 at 2:21 pm

    Wouldn't it be another solution set the blending mode of the curve adjustment layer to luminosity? That way, the adjustment layers only affect the brightness, not the color and you'd avoid those color shifts without the need of an additional adjustment layer for saturation.

  • Reply Camila Mourão Turola April 19, 2018 at 12:52 am

    OMG amazing. I can watch forever. Thanks!

  • Reply NightWalker May 1, 2018 at 3:52 pm

    Zoë where is the video about color correction?? Pleaseee

  • Reply Tia DeGiobbi May 7, 2018 at 1:37 am

    So helpful! I learned so much thank you!

  • Reply Den sure vise mand May 9, 2018 at 10:16 pm

    why not just go. Cures and set it to screen and clik alt I ? when making a doge and Burn layers? and is it dodging ligh and brun is dark.. u doing it the other way aaround?

  • Reply Manny Manuel June 8, 2018 at 8:44 pm

    Zoe, this guy uses solid color layer instead of the hue that you use. Which is a better way of doing D&B? you use an extra step to remove the color shift but wondering if his or yours is the better way.

  • Reply Francesco Zancan June 17, 2018 at 9:28 pm

    Very interesting tutorial, thanks for sharing 🙂

  • Reply CanisLatrans June 19, 2018 at 9:13 pm

    Hi Zoe! When next global dodging nad burning tutorial? Can wait! Thank you.

  • Reply Diego Fernández June 25, 2018 at 4:12 am

    By far, one of the most useful and best explained tutorials. I greatly appreciate your time to share your knowledge. Thank you very much, greetings from Argentina.

  • Reply Mike Boldt June 27, 2018 at 10:09 am

    Cannot wait for more videos! I am not at all familiar with retouching skin and this has given me an amazing place to start. Really enjoying it and wanting to shoot more stuff! Thank you so much for posting these! You do an excellent job at explaining each step.

  • Reply Ekaterina Soubbotina July 4, 2018 at 1:52 am

    The best skin retouching tutorial I've ever seen!! Thank you, Zoe!!

  • Reply Fabian Schuster July 21, 2018 at 10:53 pm

    You can also Set the curves layer on Luminosity, then you have not so color shifts. Or you can fix it, in the D&B Frequency Technik. Great Video

  • Reply Spinlayer August 3, 2018 at 11:26 pm

    (Sorry for my English) I've found this video accidentally.. I've learned more in this 15 minutes video than in a lot of others "pro's" videos that try to explain the same but in a too much complex way! I suscribed instantly!!!

    (Edited)… So sad. There is no new videos since 8 months ago. I think this is an abandoned channel :(. Did anyone knows where to buy tutorials or something of this photographer?

  • Reply Kessler Lite August 8, 2018 at 8:13 pm

    Hi. I haven't seen your channel before but I wish I did. You have a pleasant voice and nice way of explaining. Are still going to make the global d&b video? I wish you could keep making videos like these. I can learn a lot.

  • Reply Nathan Zondlo August 9, 2018 at 6:11 am

    Your tutorials are so good and thorough! Where did you go, and are you ever coming back?

  • Reply BGMAP September 2, 2018 at 3:55 pm

    This video finally cleared up the micro dodge and burn technique using pen pressure that I have been trying to figure out. Thank you!

  • Reply Alicia Wonderland September 3, 2018 at 1:54 pm

    Zoe, just wanted to say thank you for sharing your knowledge and posting the tutorials !

  • Reply Devika Bajaj September 13, 2018 at 2:17 pm

    Everything is okay.. But you should zoom it. The full screen is really annoying. We can't see the flow n opacity. Try to show us as zoom

  • Reply Анна Калитина September 14, 2018 at 2:25 am

    Thank u for this video! It's so useful and so short-spoken at the same time. I've been looking for it for a long time.

  • Reply Lora David September 18, 2018 at 5:36 am

    Would love to watch more tutorials, you are so good !

  • Reply Cláudia Almeida September 26, 2018 at 6:04 pm

    Thank God I found you! I was looking for your techniques all over youtube! Thanks for sharing your knowledge!

  • Reply orenji October 8, 2018 at 1:37 pm

    Great tutorial and so informative! Thank you so much for sharing your knowledge.

  • Reply Chris Childress October 11, 2018 at 12:58 am

    Was waiting on the new video but it never came? 🙁

  • Reply Hooman Mesri October 23, 2018 at 12:33 pm

    With all respect, why didn't you change blend mode to Luminosity for your curve adjustments to only effect the darkness and brightness without changing the color?

  • Reply Ruslan Bykov October 23, 2018 at 7:38 pm

    Great tutorial video! But there's one little trick could be used: instead of adding Hue-Saturation adjustment layers clipped to Curves, you can just change the blend mode of Curves from Normal to Luminosity. Boom – no color shifts!

  • Reply R.J.W. October 27, 2018 at 3:39 pm

    I love your videos and tutorials, it's sad to see you have stopped making YouTube videos. Do you have a SkillShare course or something similar that I can tune in?

  • Reply InkCherry November 22, 2018 at 12:24 am

    Great video

  • Reply Nicolas Maton November 25, 2018 at 8:36 am

    Thank you for this clear and detailed howto.. It helps a lot.

  • Reply Nathan Pillow November 27, 2018 at 1:18 pm

    Best video I’ve seen explaining Local Dodge and Burning, and a stunning image. Most I’ve found I can’t even see the difference, but here I can.

  • Reply Kashif Rashid December 6, 2018 at 8:57 am

    Brilliant video. Extremely useful. I would love to see the dodge and burn process entirely rather than it being fast forwarded. I feel most videos always forward that part but I feel that whenever i dodge and burn, my images turn out blotchy and i know im doing something wrong. A non fastforwarded video would be nice to clear out what i am doing wrong

  • Reply rayan souaidi December 8, 2018 at 9:39 am

    This complete tutorial helped me a lot and I learned so much from you! Everything was clear as always.
    Thank you 🙏

  • Reply Robert Lysakowski December 23, 2018 at 8:09 pm

    Very informative one, I will go through it few times to fully understand it. I appreciate the way you explain things, it's very clear and easy to follow.
    You seem to use the tablet for the retouch process, I am just testing one myself (Wacom Intuos Pro) and I curious of your experience and workflow.

  • Reply serg0l December 25, 2018 at 9:32 pm

    Thanks so much for this! This helped me a lot. #instantfollowandlike

  • Reply Literally Shane Davis December 29, 2018 at 2:33 pm

    One the most clear and comprehensive videos I have ever watched. Thank you Zoë

  • Reply zaldy tsubasa December 30, 2018 at 1:06 am

    Hello Zoee, I am waiting for your next tutorial.. thanks

  • Reply Miyamoto Musashi January 4, 2019 at 4:27 am

    Im just starting learning skin retouching. Can this be achieved by using frequency separation working on the blurred layer? Whats the difference?

  • Reply Natalie Harper January 7, 2019 at 5:47 am

    Where can I find that global contouring dodging and burning video?

  • Reply Marcus Johnson January 8, 2019 at 5:09 am

    Thank you for this video! It was very helpful

  • Reply nothingdraw1 January 10, 2019 at 12:38 pm

    You're a true professional! Thank you for sharing your knowledge with us. We can't wait to see more videos!

  • Reply Jasmine Ringo January 18, 2019 at 5:10 pm

    You're incredible! Thank you so much for sharing and creating beautiful, not overdone editing! Instant fan!

  • Reply csimlinger February 2, 2019 at 2:36 pm

    Amazing Tutorial!´

  • Reply W S February 5, 2019 at 10:04 pm

    Thank you Zoe for your brush settings. For years I’ve used the default brush settings with horrible results. Once I made the proper adjustments to my brushes, I instantly saw the results I was looking for in my work. Thank you!


  • Reply Kissa Webb February 10, 2019 at 8:21 pm

    Thank you so much! I'm super excited for your other videos.

  • Reply 고요 February 13, 2019 at 1:47 pm

    I would like to download the sample image.

  • Reply Gueorgui Tcherednitchenko February 17, 2019 at 12:15 pm

    Thank you very much, this has been really useful!

  • Reply Ayanirys Roman February 24, 2019 at 12:31 am

    Amazing!!!! Thank you so much!!!!

  • Reply Michael .A. Frazier March 5, 2019 at 6:25 am

    ive watched hundreds of these type of videos, but your technique was the first informative, concise, and clear version i've ever been able to really replicate. thank you so much for taking the time to improve others.

  • Reply Max Mustermann March 15, 2019 at 1:33 pm

    Where is the mentioned next dodge/burn tutorial? This one was really great!

  • Reply L F March 20, 2019 at 4:33 am

    Can you please do a tutorial about theory of color? Please, I'm begging you!

  • Reply L F March 20, 2019 at 5:33 am

    What's the name os the music of the beginning?

  • Reply philip b March 20, 2019 at 7:21 pm

    Youre awesome, best explained video I have seen, and I have seen a lot..thank you

  • Reply Curvyrockchic Curvyrockchic March 23, 2019 at 12:37 pm

    Thank you for being so kind. alot of people will not share knowledge like this. i hope you do more videos

  • Reply Trevor Hamilton March 23, 2019 at 10:38 pm

    Thank you so much for this, watched it with the 'cleaning' tutorial and it's changed my approach to editing. So well explained and the best voice on YouTube! Awesome accent

  • Reply Javier Gamez March 29, 2019 at 8:14 pm

    I found you by mistake and I loved it. Sometimes mistakes can be beautiful!

  • Reply Iunderstan Photography April 2, 2019 at 4:30 am

    Very nice photography and detail to begin with. Dodge and Burning is something you just have to do continue to practice. I'm glad to see you using the settings that i JUST LEARNED a month ago (changing "flow" instead of "opacity")

  • Reply J Taylor April 6, 2019 at 3:53 am

    What a fantastic teacher you are.

  • Reply Adolfo Usier April 28, 2019 at 8:37 am


  • Reply J Taylor May 2, 2019 at 11:40 pm

    Hello Zoe, is there any way I could download the raw file so I can practice as you teach?

  • Reply MightyVisions May 14, 2019 at 3:38 pm

    Hey Zoe! Very nice to see you share your knowledge. I'm looking forward to a video in which you show the global Dodge and burn. (contouring)
    I started following you on instagram today. I'm @mighty_visions

  • Reply Razor01 June 5, 2019 at 11:16 am

    Hello ma'am!Thank you so much for sharing the dodge and burn technic.Its really powerfull and I do my photos with only your technic.we need an other part that is Global D & G. please make a video on that.We will be very great full.Thank you again..🌠🌠🌠😇

  • Reply Bob Shurtleff June 16, 2019 at 12:27 pm


  • Reply Taylor Ball June 25, 2019 at 5:00 pm

    Hi Zoe, thanks for your videos! I was wondering if you ever see issues while in the dodge and burning phase and return to cleaning the skin phase to solve them?

  • Reply Aquamethods June 27, 2019 at 8:16 pm

    What the camera used for this shot?

  • Reply Jesse Villa Jr July 7, 2019 at 3:42 pm

    good stuff

  • Reply Chase Edmonds July 25, 2019 at 10:35 am

    Amazing tutorial, love the none destructive workflow

  • Reply Marcus Shaw August 4, 2019 at 2:12 pm

    So you dodge to brighten the dark areas, and you burn to darken the bright areas?

  • Reply Julia Fuhler August 15, 2019 at 1:21 am

    My mind is SO blown. This is FANTASTIC!!

  • Reply C S October 28, 2019 at 7:46 pm

    I"D really like to see the raw processing to get a look like you had on this image

  • Reply Estevão Patriota October 30, 2019 at 1:29 pm

    Excelente! Obrigado por compartilhar.

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